This year is the 150th anniversary of the posthumous publication of Henry David Thoreau’s The Maine Woods, and the musings he derived from three trips on the lakes, rivers and mountains between 1846 and 1857. We’re reminded of it now when September brings the yellow woods that Robert Frost wrote about. Frost’s “path diverged in a yellow woods” and taking the one “less traveled by, made all the difference.”
Looking out the kitchen window the other day, we noticed the very tips of some of the hardwoods are starting to turn color. As we stood watching them in the morning sun, we were trying to decide how we would describe the gradual lengthening of the fall foliage ‘shadow’ as it spreads across the branches of Mid-Coast Maine. We hit upon the comparison with ripening fruit (or pumpkins). And that brought us around to apples.
Some of us think of September days in the caramel colors that marked the end of the old Super 8 home movie films. When the light got into the canister when you opened the camera and tinged those last frames you strained to include in the reel. Though this sounds like ancient history to those accustomed to shooting video with their smart phones, the analogy applies to the idea of grasping onto the gilded days of the end of the season to make sure they make it onto the memory reel called “Summer 2014.”
In 1682 when two English noblemen teed off at Hoy Lake against the Duke of York and local shoemaker, John Patersone to determine whether the game of golf had originated in England or Scotland (the Duke and the Scots won), Maine was still the American frontier, a wilderness of dark spruce forests crowding down to a rocky shore. Yet already Maine was being eyed for settlement, by 1764, Europeans had settled Boothbay sufficiently to incorporate a town. Another hundred years and the coast of Maine had become vacationland for rusticators and holiday-makers streaming out of the Northeast cities on trains and steamers to places like Spruce Point Inn, expanded from a gentleman’s hunting/fishing lodge to an inn in 1892. Golf kept pace.
Funny thing, history, memories, how the past comes back around…
One of the prized possessions and chapters in Spruce Point Inn history is this photograph, hanging in our lobby, of Robert Kennedy, with his wife Ethel, Mr. & Mrs. John Glenn, Andy Williams and Claudine Longet and other guests, posing aboard their sailboat that had just tied up at the Spruce Point Inn dock.
Growing up, the last week of August was reserved for family vacation. My Dad considered the ocean was as warm as it was going to get (this from someone who spent WWII on the North Atlantic) and maybe the ‘dog days of summer’ meant the family collie would be willing to ride in the back of our station wagon to the ultimate destination: a summer cottage with a view out over the bay.
August 22 marks the start of Boothbay’s 250th anniversary, an event celebrated with classic New England homecoming celebrations – a parade, seafood festival and fireworks. As a resort rooted in the early days of Boothbay’s emergence as a summer destination, Spruce Point Inn salutes our history and the deep affection we have for this point of land.
Four hundred years ago, Captain John Smith sailed along the Coast of Maine, landing at the fishing camps on Monhegan Island and the Isles of Shoals. Already Europeans had sailed west to the teeming grounds now known as the Grand Banks. Maps of the coast were published in London in 15xx; But John Smith’s own 1614 map named the whole region “New England” and was popularized for a century.
Lobsters and lighthouses. There’s no escaping the iconic ‘odd couple’ of summertime Maine. They are to our visitors Down East what the Statue of Liberty is to Manhattan, the Strip to Las Vegas, the cherry trees to Washington DC.
They say that Andrew Wyeth’s “Christina’s World” is one of the most-recognized paintings in America. It’s a vision of a woman in a summer-dry field; a grey farmhouse in the distance. The story of the woman, Christina Olson and the family farm in Cushing, Maine is one of Andrew Wyeth’s enduring, some say “wondrous strange” fascinations with the people and places of Maine. Andrew was not alone in his love affair with Maine – his father NC and his son Jamie have also put paint to the romance, history and landscape of our sea and sky.